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Inside
the Vatican, the capital of global Catholicism & abode
of all its wealth
by James Mayfield (Chairman, European Heritage Library)
Print
this Article • About
the Author • Bibliography/Sources
This article offers my personal
observations and photos of the Vatican/Holy See/Papacy from
my 2007 vacation. The Papacy has reigned supreme as the central
authority of the Catholic world -- nominally more than 1 billion
people on 6 continents -- since the 5th century. Its most
venerable and significant figures, including Thomas Aquinas,
Gregory the Great, Leo the Great, and Augustine completely
defined the very foundations of Christian theology and the
many diverse interpretations of Jesus Christ for nearly 2,000
years. The Papacy/Holy See refers to this interminable body
of doctors of the church, Popes, and Cardinals, whilst the
Vatican refers to the permanent residence of the Papal authorities
and the Pope. Its centerpiece is St. Peter's Basilica.
For a brief historical background,
the Catholic See was centered in Rome since shortly after
the death of Christ, but it did not function as a political
entity until the 7th century, when Leo the Great encouraged
the creation of a temporal Catholic authority. It was not
until the German Empire under Peppin and Karl the Great (Charlemagne)
conquered the Germanic Lombard tribe that dominated Italy
in the 8th century that this dream came to fruition. Annointed
by the Pope as the emperor of Catholic Christendom as a whole,
Charlemagne created the Papal States, a political state ruled
by the Pope that dominated most of Central Italy until the
invasion of Napoleon 1,000 years later. The Vatican was its
capital, the capital of the Catholic world, although few Catholic
powers directly obeyed the Pope unless it was politically
auspicious. The office of Pope was often arguably for sale
to the most influential bidder, and during the 14th century
there were even two rival lines of Popes, one French puppet
in Avignon and the other in Rome. During the first-time unification
of the Italian nation in the 19th century, the Papal States
were in bitter opposition to the progressivism of the Italian
nationalists and their preference for earthly Italian authority
over the Pope's spirtual authority. The Popes were in a state
of cold war until Italian dictator Benito Mussolini finally
established independent Vatican City in Rome. The subsequent
popes, Pius XI and XII, ruled in casual alliance with Mussolini
and Hitler until the closure of the war. Today, Vatican City
remains completely separate from Italy, despite being right
at the center of Rome. It is an absolute theocracy with the
Pope as its authority, invested with unmonitored power.
The reasons for Martin Luther's
criticism of the Catholic church of "extortion,"
excessive hoarding of wealth, and constant donations as the
key to Heaven are easy to see: a tour through the Vatican
renders a visitor literally mind-boggled, stunned, and senseless
at the unfathomable wealth, beauty, and majesty of the Vatican.
Almost no building on earth holds comparison with the opulence
and ornate qualities of St. Peter's Basilica. Although other
cathedrals are similar and superior in many ways (such as
Esztergom Cathedral in Hungary, Ravenna Basilica, and St.
Stephen's Cathedral in Vienna for examples), no such masterpiece
is so meticulously perfected, shined, honed, and maintained
as St. Peter's. Almost every square meter of the small nation
has the ability to muddle the mind at the wealth that the
Holy See controls. Each room holds treasures of such incalculable
value that one can barely comprehend the previous room before
entering the next. One is easily blown away by the end of
the tour. Many exiting tourists can also be heard yelling
obscenities at the Catholic church for possessing such unbelievable
wealth, but has not yet alleviated the poverty of the world.
Predictably, the Vatican
City is a major pilgrimage and tourist site. Catholic tours
are ubiquitous. Entrants can be seen performing the genuflexion
(the cross)on their chests as a sign of piety to the believed
primacy of the Catholic Holy See. At all hours of the day,
lines into the massive walls can be seen literally stretching
miles and miles around the city with thousands and thousands
of people. Lines may take some 10 hours to enter. Paying a
small fee for a guided tour, hilariously, can bypass all the
lines almost instantly. The city's walls, which stand over
30 feet high all around, were designed to prevent assault
by Islamic and Protestant invaders, as well as theft by local
citizens. The Vatican is closed in entirety on Sundays for
tours. After entering, it becomes apparent that every inch
of the entire city will be filled well over capacity; one
will find his shoulders literally touching others' the entire
way through the city and out the exit. Tens of thousands of
people come here every week. A great portion of the city underground
is off-limits to all but the Catholic leaders or theologians,
inspiring a great deal of rumors of endless treasures and
hidden cover ups. There are donation boxes everywhere, and
offering moneys is encouraged in a variety of currencies.
Employees offer currency exchange to donate to the church
or buy products. Entrants are encouraged to dress conservatively,
to stay quiet (which is impossible to enforce on so many non-Italian-speaking
foreigners), and for women to wear veils or headscarves in
the holy areas of the central Basilica. This is strongly enforced
here, but often fails.

the entrance to the Vatican. (click to enlarge)

the seal of the Papacy on the outside.

the main courtyard of Vatican City. (click to enlarge)

Another angle of the courtyard. (click to enlarge)

a lion statue in the courtyard with odd Egyptian symbols.
The Catholic Papacy has the
greatest treasures in the world from an endless amount of
eras and nations. The modern architecture, furniture, and
other structures in rooms such as chairs and stools derive
from a variety of cultural styles, including pre-Islamic Egyptian,
pre-Christian Greek and Roman, the Etruscan period, Babylonian
and Sumerian even, etc. A walk through the massive hallways
reveal -- oddly -- many pagan and non-Christian relics and
artefacts, including statues of the old gods, phallic symbols,
and sun-worship icons that one would expect the Catholics
to have universally destroyed as they and Catholic empires
did along with the Muslim empires. The hordes of treasures
are present not only to show the supremacy of the Catholics
over the previous pagans the world over, but also to show
perhaps the evolution of human thought from the "fallacies"
before Christendom into the holy truth in God's messenger
and voice on earth: the Pope. There are more Greek and Roman
statues here it seems than in Greek museums in Athens
or Olympia.

an interior hallway with statues galore. (click to
enlarge)

some lovely and intricate statues in the main hall.

Another statue, this one very pre-Christian and bizarre to
see in a theocratic state like the Vatican. The many shapes
on her chest are debated to be either breasts or dates to
symbolize fertility of crops and childbirth.
Other rooms offer interesting
visuals: massive halls and corridors are adorned atop with
glorious hand-painted murals dating back some more than 500
years. The walls are all covered with prodigious hand-sewn
rugs from the Catholic and Islamic worlds, with many artistically
showing holy scenes from the Bible, showing maps of Catholic
countries, of the conversion of the Americas to Catholicism,
of wars between Christian and Muslim empires, Catholic countries
that are admired by the Papacy such as (at the time) Venice,
France, Spain, Austria, Hungary, Poland, and German-ruled
Croatia. Each of these map-rugs or artistic Biblical scenes
stretch more than 20 feet in the air, adorned in gold or other
gems. Some rooms bear rugs that are so old and rare that no
photography at all is allowed, and the room must remain darkened.
Some surpass 1000 years in age. All of these massive painted
murals are not simply attractive fillers to decorate the hallways;
some if not most of these are far more impressive and intricate
than the famous Sistine Chapel. One must walk through these
glorious halls for miles in virtually solid crowds before
going downward into a classical medieval dungeon-like corridor
that leads to a gift shop for more donations, and the Chapel
to the left.

the famous rug room with ancient carpets on the walls. (click
to enlarge)

The ceilings are magnificent. (click to enlarge)

Another lovely artistic mural on the ceiling. (click
to enlarge)

Gold, gems, jewels, and marble are everywhere. (click
to enlarge)

Another room. (click to enlarge)

A ceiling mural in an adjoining room. (click to enlarge)
The Sistine Chapel is considered
to be the greatest artistic achievement in the entire world.
I was anxious to see this glorious accomplishment of the famous
Italian painter Michaelangelo (1475-1564) my whole life, as
it is viewed as the very heart of the Renaissance (alongside
the Florentine Duomo) and the masterpiece of Catholic art.
Upon entrance, visitors are only allowed to be present in
the room for some 15 minutes before being expelled. Absolutely
no talking is allowed (not even a whisper), and no photography
with or without flash is allowed at all. This volume of voice
is impossible to enforce, and Asian, Indian, and non-Italian
tourist groups are frequently told to stop talking before
hastily resuming. The photography rule is in order to prevent
patina or decay of the ancient paintings. Inside the Chapel,
I was stunned to realize that I was not impressed at all.
Michaelangelo seems to be an overrated artist, whose "masterpiece"
seemed inarticulate, unrealistic, and simple. Having seen
the cultural masterpieces of most other European countries,
it seemed that other civilizations like the Hungarians, Germans,
Belgians, Poles, and Russians were not given nearly as much
credit as they deserved for building cathedrals with arguably
more beautiful works of art. In fact, a small portion of the
Chapel offers a band wrapping around the room with golden
paintings drawn by other artists (not Michaelangelo). These
murals, directly next to the praised and near-worshiped work
of Michaelangelo), are easily superior to his best by far.
Nonetheless, his accomplishments and efforts to fill a room
more than 60 feet high on every wall with Biblical artwork
cannot be ignored. There are an endless amount of scenes drawn
by Michaelangelo in the chapel, ranging from Adam and Eve
to the creation of Man by God (the so-called "Adam-God"
painting), to the life of Mary, John the Baptist, Jesus, and
the Disciples. All of the figures seem very muscular and firm,
including the women. The fact that Michaelangelo could not
"paint women," and instead uses a male base to draw
women (thus they are depicted with a great deal of anatomic
masculinity) is unusual and did not illuminate his talent
positively for me.
Leaving the Sistine Chapel,
one proceeds to walk the perimeter of the massive St. Peter's
Basilica. Built from the 11th century onward, the church became
and remains today apparently the largest Christian church
in the world (its predecessor being the Byzantine Orthodox
Christian Hagia Sophia in Constantinople before the Ottoman
Turkish jihad converted it into a mosque). This claim again
resonated in me with skepticism, since many cathedrals in
Hungary, Austria, and Germany seemed far larger. The outside
of the structure is adorned with several massive statues of
Armenian saints and those of other Christian peoples. The
entrance to the Basilica requires women to wear veils or headscarves,
and men to cover their shoulders and legs. St. Peter's ceilings
reach more than 100 feet high, its corridors and walkways
are seemingly endless, and every surface on the floor, walls,
and ceiling is covered in rich marble, gold, gem, jewel, or
statue. Entering the building leaves one literally in awe.
Some women can be seen crying having finally reached the main
site of Catholic pilgrimage, much as Muslims do when they
perform the Hajj (هاج) pilgrimage to the mosques of Makkah
and Madina in Saudi Arabia. Many bow and kiss crosses from
their pockets inside. The interior is a lovely color variety
of gold, red marble, black and gray marble, quartz, and gems
like emerald. The Basilica is dedicated to the original St.
Peter, considered arguably the first pope (though this is
arguably only honorary), and it is believed by many that he
settled and was buried nearby. There is a marble statue of
Peter whose feet have apparently been touched or kissed by
so many pilgrims that the toes have collapsed and melded together
to appear like a shoe. Michaelangelo also produced a few statues
herein that are arguably better than his paintings. One of
them, a statue of Mary holding her dead son Jesus, was apparently
attacked recently when a maniac ran into the church with a
hammer and smashed part of the statue. There are the corpses
of at least two former popes inside visible for public viewing,
and many more "tombs" dedicated to the popes with
no bodies inside. One corpse can only be photographed from
a side angle oddly. The bodies are deemed to be in perfect
condition due to the perfection and infallibility of these
messengers of God on earth (or so it is said). Sermons with
chairs are offered in multiple areas in the basilica in Latin
any time of the week several times, and only praying Catholics
(not tourists) may enter; the areas are cordoned off to regular
tourists. The most impressive portion of the basilica is arguably
the centerpiece from which the Pope has offered sermons for
centuries, now only for the public on Christmas Day and Easter
Sunday. The bizarre and gorgeous arch of the Pope with its
litten candles is a beautiful bronze, gold, and marble structure
with swirling intricate pillars. Great attention was paid
to the detail for obvious reasons. The basilica is an architectural,
economic, religious, and visual wonder almost without comparison
or comprehension.

An Armenian saint statue outside the basilica. Notice the
small Armenian script.

The entrance of the basilica. Breath-taking. (click
to enlarge)

One corner of the basilica. (click to enlarge)

Every surface and ceiling is stunning. (click to enlarge)

An ancient mosaic of gold along with a cross on the front
wall.

Ornate red marble compliments statues beyond belief.

The main dome in the center of the cathedral. (click
to enlarge)

The corpse of a saint. It may only be photographed from this
exact angle, oddly.

The main holy pulpit from which the Pope leads the sermon.
(click to enlarge)

A lovely altar with red marble.

A magnificent "tomb" that bears no body but commemorates
the death of a holy pope.
Leaving the basilica, the
famous St. Peter's Square can be traversed. The exterior of
the basilica is as gorgeous and grand as its interior. The
housing and barracks for the inhabitants of Vatican City (including
monks, friars, Bishops, Cardinals, and the Pope) are visible
looping around the basilica and St. Peter's Square. They seem
very innocuous and plain as living quarters in comparison
with the remainder of the city. The Pope's residence seems
like a regular apartment room (but cannot be visited of course).
The Square is set with thousands and thousands of seats all
year round for listening to the Papal lectures or hearing
holy announcements (including Papal deaths, major declarations,
and new elections of Popes by the Cardinal College). A huge
obelisk with a cross atop glorifies the center of the Square
along with numerous churches and statues in all directions.
The crowds are still endlessly massive even outside, and shops
are everywhere to earn that extra Euro. The famous Swiss Guard
-- Catholic Swiss Germans, Italians, or Frenchmen who offer
a term of service to the church along with sworn celibacy
-- can be seen outside the church. They live in the barracks
and offer ceremonial security to the Vatican in their humorous
blue-orange clothes from the Medieval period. Switzerland
is a Catholic country (formerly a Calivinist Protestant one)
with an ethnic majority of Germans and a minority of French
and Italian.

The famous Swiss Guards.

St. Peter's Square, with the obelisk at center and the Basilica
in the background. (click to enlarge)
One leaves the Vatican simply
through the courtyard of St. Peter's Square, exiting to downtown
Rome. Oddly, there is almost no security in this portion of
the Vatican near the very most important parts: the Pope's
chambers and the basilica. Poles prevent passing cars from
entering, but anyone can walk into the Square without any
difficult it seems. The Vatican, which one would expect to
be most at risk target of terrorism, seems extremely vulnerable
and open. The Vatican was one of the greatest experiences
in my life, and few tourists could be disappointed.
________________________________________
ABOUT
THE AUTHOR:
James Mayfield is a historian
and the Chairman of the European Heritage Library. I have
a Cum Laude BA in History with a Minor in Germanic Studies
(language and history), am presently working for my Masters
in History, and plan to immediately progress to my PhD Doctorate.
I have a special academic interest in Europe's diverse ethnic
identities, languages, and cultures, and the political struggles
of native European and immigrant minority identities. See
my staff entry for more information.
BIBLIOGRAPHY/SOURCES
USED:
No additional citations or
sources necessary.
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